Isabella L. Bird

Isabella L. Bird

Summary

Portrait of Isabella L. Bird Isabella L. Bird Unbeaten Tracks in Japan

The loneliness of Usu Bay is something wonderful—a house full of empty rooms falling to decay, with only two men in it—one Japanese house among 500 savages, yet it was the only one in which I have slept in which they bolted neither the amado nor the gate. During the night the amado fell out of the worn-out grooves with a crash, knocking down the shôji, which fell on me, and rousing Ito, who rushed into my room half-asleep, with a vague vision of blood-thirsty Ainos in his mind.
Source: Gutenberg

Portrait of Isabella L. Bird Isabella L. Bird Unbeaten Tracks in Japan

The runner was a nice, kind, merry creature, quite delighted, Ito said, to have a chance of carrying so great a sight as a foreigner into a district in which no foreigner has even been seen. In the absolute security of Japanese travelling, which I have fully realised for a long time, I look back upon my fears at Kasukabé with a feeling of self-contempt.
The scenery, which was extremely pretty, gained everything from sunlight and colour—wonderful shades of cobalt and indigo, green blues and blue greens, and flashes of white foam in unsuspected rifts.
Source: Gutenberg

Portrait of Isabella L. Bird Isabella L. Bird Unbeaten Tracks in Japan

Kanaya’s, Nikkô, June 15.
I don’t know what to write about my house. It is a Japanese idyll; there is nothing within or without which does not please the eye, and, after the din of yadoyas, its silence, musical with the dash of waters and the twitter of birds, is truly refreshing. It is a simple but irregular two-storied pavilion, standing on a stone-faced terrace approached by a flight of stone steps. The garden is well laid out, and, as peonies, irises, and azaleas are now in blossom, it is very bright.
Source: Gutenberg

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