Summary

Portrait of Pierre Louÿs Pierre Louÿs Ancient Manners; Also Known As Aphrodite

Cleopatra, swelling with indignation, took her sister by the shoulders, and looking her full in the face, spoke thus to her:
“How now! You are the Queen, the people’s goddess! Half the world belongs to you; all that Rome does not rule is yours; you reign over the Nile and the entire ocean. You even reign over the heavens, since you are nearer to the ear of the Gods than anyone, and yet you cannot reign over the man you love!”
“Reign . . . reign!” said Berenice, hanging her head. “That’s easy to say, but, look you, one does not reign over a lover as if dominating a slave.”
Source: Gutenberg

Portrait of Pierre Louÿs Pierre Louÿs Ancient Manners; Also Known As Aphrodite

The statue of Aphrodite was for him the sublime pretext of this moral conversion. The highest realization of the queen’s beauty, all the idealism it was possible to read into the supple lines of her body, Demetrios had evoked it all from the marble, and from that day onward he imagined that no other woman on earth would ever attain to the level of his dream. His statue became the object of his passion. He adored it only, and madly divorced from the flesh the supreme idea of the goddess, all the more immaterial because he had attached it to life.
Source: Gutenberg

Portrait of Pierre Louÿs Pierre Louÿs Ancient Manners; Also Known As Aphrodite

If my face has gained in beauty, it is because I have loved you. O Rhodis! well you know that my singular virginity is like the lips of Pan eating a sprig of myrtle; yours is the colour of roses, and dainty as the mouth of a little child. I do not know why you love me; but if you ceased to love me for a day; if, like your sister Theano who plays the flute by your side, you ever stayed to sleep in the houses that employ us, then I should never even think of sleeping alone in our bed, and when you came in you would find me strangled with my girdle.
Source: Gutenberg

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