Summary

Portrait of Gustave Flaubert Gustave Flaubert The Temptation of St. Antony; Or…

Do falsehoods make your faith totter? What do you fear?"
The rocks in front of Antony have become a mountain.
A range of clouds intersects it half-way from the top; and overhead appears another mountain, enormous, quite green, which hollows out the valley unevenly, having on its summit, in a wood of laurels, a palace of bronze, with tiles of gold and ivory capitals.
In the midst of the peristyle, upon a throne, Jupiter, colossal, and with a naked torso, holds victory in one hand, and the thunderbolt in the other; and his eagle, between his legs, erects its head.
Source: Gutenberg

Portrait of Gustave Flaubert Gustave Flaubert The Temptation of St. Antony; Or…

Do you prefer a body cold as a serpent's skin, or, perchance, great black eyes more sombre than mysterious caverns? Look at these eyes of mine, then!"
Antony gazes at them, in spite of himself.
"All the women you ever have met, from the daughter of the cross-roads singing beneath her lantern to the fair patrician scattering leaves from the top of her litter, all the forms you have caught a glimpse of, all the imaginings of your desire, ask for them! I am not a woman—I am a world. My garments have but to fall, and you shall discover upon my person a succession of mysteries."
Source: Gutenberg

Portrait of Gustave Flaubert Gustave Flaubert The Temptation of St. Antony; Or…

And, suddenly, through the midst of the air, passes first, a pool of water, then a prostitute, the corner of a temple, a figure of a soldier, and a chariot with two white horses prancing.
These images make their appearance abruptly, in successive shocks, standing out from the darkness like pictures of scarlet above a background of ebony.
Their motion becomes more rapid; they pass in a dizzy fashion. At other times they stop, and, growing pale by degrees, dissolve—or, rather, they fly away, and instantly others arrive in their stead.
Antony droops his eyelids.
Source: Gutenberg

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