Gustave Flaubert

Gustave Flaubert

Summary

Portrait of Gustave Flaubert Gustave Flaubert,  Salammbo

“ Matho was standing behind the balustrades. With the zaïmph which was wrapped about him, he looked like a sidereal god surrounded by the firmament. The slaves were going to fall upon him, but she stopped them:
“Touch it not! It is the mantle of the goddess!”
She had drawn back into a corner; but she took a step towards him, and stretched forth her naked arm:
“A curse upon you, you who have plundered Tanith! Hatred, vengeance, massacre, and grief! May Gurzil, god of battles, rend you! may Mastiman, god of the dead, stifle you! and may the Other—he who may not be named—burn you!”
”
Source: Gutenberg

Portrait of Gustave Flaubert Gustave Flaubert,  Salammbo (1862)

“ The Carthaginians shut themselves up within them and stirred out no more.
Every day the sun coming over the hill used, after the early hours, to forsake the bottom of the gorge and leave them in the shade. The grey slopes of the ground, covered with flints spotted with scanty lichen, ascended in front and in the rear, and above their summits stretched the sky in its perpetual purity, smoother and colder to the eye than a metal cupola. Hamilcar was so indignant with Carthage that he felt inclined to throw himself among the Barbarians and lead them against her.
”
Source: Gutenberg

Portrait of Gustave Flaubert Gustave Flaubert,  Salammbo

“ The Lacedæmonians were silent, with eyelids closed; Zarxas, once so vigorous, was bending like a broken reed; the Ethiopian beside him had his head thrown back over the arms of the cross; Autaritus was motionless, rolling his eyes; his great head of hair, caught in a cleft in the wood, fell straight upon his forehead, and his death-rattle seemed rather to be a roar of anger. As to Spendius, a strange courage had come to him; he despised life now in the certainty which he possessed of an almost immediate and an eternal emancipation, and he awaited death with impassibility. ”
Source: Gutenberg

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