“ Utica had already called several times upon Carthage for assistance; but Hanno would not set out until the engines of war had been supplied with the last screws. He lost three moons more in equipping the one hundred and twelve elephants that were lodged in the ramparts. They were the conquerors of Regulus; the people loved them; it was impossible to treat such old friends too well. Hanno had the brass plates which adorned their breasts recast, their tusks gilt, their towers enlarged, and caparisons, edged with very heavy fringes, cut out of the handsomest purple. ”
Hanno
Definition and stakes
The concept of "Hanno" appears throughout literature as a complex figure, encompassing historical accounts, philosophical reflections, and personal drama. In Gustave Flaubert’s Salammbo, Hanno represents careful military planning and Carthaginian pride, whereas in Thomas Mann’s Buddenbrooks, he serves as a symbol of inner conflict and social pressure.
The theme reveals multiple facets of the human experience. David-Léon Cahun and G. A. Henty portray him as a character maneuvering through political strife and humorous situations, while Georg Ebers connects him to ideas of inheritance and aspiration. These differing depictions collectively present Hanno as both a historical prototype and a medium for examining personal and communal identity.
Quotes about “Hanno”
David-Léon Cahun, The adventures of Captain Mago…
“ As soon as his back was fairly turned, Hanno, who had been seated quietly arranging his papyrus leaves, rose from his seat, and advancing towards the door, made a low and solemn bow, a proceeding on his part that caused Himilco to burst into a roar of laughter."Our friend Bodmilcar," remarked Hannibal, "seems to be rather a morose sort of gentleman.""Nothing of the sort, I assure you," said Hanno, satirically; "I hardly know a man of a brighter and more genial temperament; however, I confess that we may thank our stars that we have not to sail in the same ship with him." ”
Thomas Mann,
Buddenbrooks, volume 2 of 2
(1924)
“ And Hanno slept, his cheek pressed into the pillow, his lips closed, the eyelashes lying close upon his cheek; he slept with an expression of the most utter abandonment to slumber, the soft, light-brown hair clustering about his temples. And slowly the candle-flame lost its reddish-yellow glow, as the [307] pale, dun-coloured dawn stole into the room through the icy coating on the window-pane.At seven he woke once more, with a start of fear. He must get up and take upon himself the burden of the day. ”
