Summary

Portrait of R. D. Blackmore R. D. Blackmore Lorna Doone — 56. John becomes too popular (1869)

No wonder they want me in London, as an ornament for the stage, John.'
Now in after days, when I heard of Lorna as the richest, and noblest, and loveliest lady to be found in London, I often remembered that little scene, and recalled every word and gesture, wondering what lay under it. Even now, while it was quite impossible once to doubt those clear deep eyes, and the bright lips trembling so; nevertheless I felt how much the world would have to do with it; and that the best and truest people cannot shake themselves quite free.
Source: Wikisource

Portrait of R. D. Blackmore R. D. Blackmore Lorna Doone — 56. John becomes too popular (1869)

Hope of course is nothing more than desire with a telescope, magnifying distant matters, overlooking near ones; opening one eye on the objects, closing the other to all objections. And if hope be the future tense of desire, the future of fear is religion—at least with too many of us.
Whether I am right or wrong in these small moralities, one thing is sure enough, to wit, that hope is the fastest traveller, at any rate, in the time of youth. And so I hoped that Lorna might be proved of blameless family, and honourable rank and fortune
Source: Wikisource

Portrait of R. D. Blackmore R. D. Blackmore Lorna Doone — 56. John becomes too popular (1869)

Least of all could I say that every one in Watchett knew John Ridd; while none had heard of the Countess of Dugal. And yet that was about the truth, as I hinted very delicately to Mistress Odam that evening. But she (being vexed about her wild duck, and not having English ideas on the matter of sport, and so on) made a poor unwitting face at me. Nevertheless Master Odam restored me to my self-respect; for he stared at me till I went to bed; and he broke his hose with excitement. For being in the leg-line myself, I wanted to know what the muscles were of a man who turned a wheel all day.
Source: Wikisource

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