R. Thurston Hopkins

Summary

R. Thurston Hopkins War and the Weird

The various impacts upon man's psychological anatomy produce strange results. They seem like the blows of some Invisible Sculptor, producing out of commonplace material a hero and it may be a demi-god. The opening orchestra of shot and shell braces up the mind of the soldier and attunes it up to receive new sensitiveness. The bullets play strange dirges on the strings of life before they break them, and each dirge has its theme, some song of spiritual things. His gaze is towards the sky line and he sees strange things, a whole battery of lights each of which is in its way a revelation.
Source: Gutenberg

R. Thurston Hopkins War and the Weird

So spoke a man of the A.S.C., who saw his comrade die. Deep calls to deep, and if we put our ear to the call we may hear the message. On the battlefield, as in no other place, there is the call of soul to soul, of heart to heart, intensified by all our powers of emotion, which duty calls forth at their best. Tommy Atkins stares more fixedly into the dim future, the greater the gloom the more he searches for the gleam, and sometimes it is vouchsafed to him. There is no doubt that mind calls to mind. After all, time and space are artificial things. They cannot be spiritual barriers.
Source: Gutenberg

R. Thurston Hopkins War and the Weird

Every man has the instinct that prompts fear, for upon that instinct the whole foundation of life-preservation is founded. But over and above this instinct, common to all of us, O'Hagan had imagination—the graphic, vivid imagination that always lurks in Irish blood. Is not the entire history of the Celt a rejection of the things of this world for the Shadow and the dream? Upon this basis of fear and imagination O'Hagan started to build, building and building until he had created a grand structure of blind terror which yielded a most exquisite torture to his mind.
Source: Gutenberg

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