Summary

Portrait of Rabindranath Tagore Rabindranath Tagore,  Creative Unity — An Indian Folk Religion (1922)

“ I am poured forth in living notes of joy and sorrow by your breath.
Morning and evening, in summer and in rains, I am fashioned to music.
Yet should I be wholly spent in some flight of song,
I shall not grieve, the tune is so precious to me.
Our joys and sorrows are contradictory when self separates them in opposition. But for the heart in which self merges in God's love, they lose their absoluteness. So the Baül's prayer is to feel in all situations--in danger, or pain, or sorrow--that he is in God's hands.
”
Source: Wikisource

Portrait of Rabindranath Tagore Rabindranath Tagore,  Creative Unity — An Indian Folk Religion (1922)

“ Even to-day we see in our own country human nature, from its despised corner of indignity, slowly and painfully finding its way to assert the inborn majesty of man. It is like the imprisoned tree finding a rift in the wall, and sending out its eager branches into freedom, to prove that darkness is not its birthright, that its love is for the sunshine. In the time of the Buddha the individual discovered his own immensity of worth, first by witnessing a man who united his heart in sympathy with all creatures, in all worlds, through the power of a love that knew no bounds ”
Source: Wikisource

Portrait of Rabindranath Tagore Rabindranath Tagore,  Creative Unity — An Indian Folk Religion (1922)

“ Thus originated the doctrine of the Dharma-kâya, the Infinite Wisdom and Love manifested in the Buddha. It was the first instance, as I have said, when men felt that the Universal and the Eternal Spirit was revealed in a human individual whom they had known and touched. The joy was too great for them, since the very idea itself came to them as a freedom--a freedom from the sense of their measureless insignificance. It was the first time, I repeat, when the individual, as a man, felt in himself the Infinite made concrete. ”
Source: Wikisource

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