Summary

Portrait of George Santayana George Santayana Egotism in German Philosophy — Chapter VIII. The Egotism of Ideas (1916)

But the transcendental philosophy with its migratory ego can turn any single passion, or any complex of passions, into a reputed centre of will, into a moral personage. As the passion usurps more and more of the man’s nature it becomes a fierce egotist in his place; it becomes fanaticism or even madness.
This substitution of a passion for a man, when nobody thought the ego migratory, seemed a disease. What folly, we said to the human soul, to sacrifice your natural life to this partial, transitory, visionary passion! But the German idealist recognises no natural life, no natural individual.
Source: Wikisource

Portrait of George Santayana George Santayana Egotism in German Philosophy — Chapter VIII. The Egotism of Ideas (1916)

The family was a first natural group in which the individual should be happy to lose himself, the trade-guild was another, and the state was the highest and most comprehensive of all; there was nothing worthy or real in a man except his functions in society.
Nevertheless this denial of egotism is apparent only. It is a play within the play. On the smaller stage the individual—save for his lapses and stammerings—is nothing but the instrument and vehicle of divine decrees; in fact he is a puppet, and the only reality of him is the space he fills in the total spectacle.
Source: Wikisource

Portrait of George Santayana George Santayana Egotism in German Philosophy — Chapter VIII. The Egotism of Ideas (1916)

It is I that pull the strings, enjoy the drama, supply its plot and moral, and possess the freedom and actuality which my puppets lack. On the little stage the soul of a man is only one of God’s ideas, and his whole worth lies in helping out the pantomime; on the big stage, God is simply my idea of God and the purpose of the play is to express my mind. The spectacle in which every individual dances automatically to the divine tune is only my dream.
The philosophy of Hegel is accordingly subjective and all its realism is but a pose and a tone wilfully assumed.
Source: Wikisource

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