Summary

Portrait of George Santayana George Santayana Egotism in German Philosophy — Chapter XV. German Genius (1916)

And as nothing in the world, not even the truth, is so interesting as human genius, these incredible or obsolete religions and philosophies become delightful to us. The sting is gone out of their errors, which no longer threaten to delude us, and they have acquired a beauty invisible to the eye of their authors, because of the very refraction which the truth suffered in that vital medium.
German philosophy is a work of genius. To be heathen is easy; to have an absolute will and a belief in chaos—or rather a blind battle with chance—is probably the lot of most animals
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Portrait of George Santayana George Santayana Egotism in German Philosophy — Chapter XV. German Genius (1916)

In this philosophy the ancestral ego, the soul perplexed and incredulous at being born into this world, returns to haunt us in broad daylight and to persuade us with its ghostly eloquence that not that ego but this world is the ghost.
The egotism which in German philosophy is justified by a theory in German genius is a form of experience. It turns everything it touches into a part of its own life, personal, spontaneous, sincere, original. It is young and self-sufficient
Source: Wikisource

Portrait of George Santayana George Santayana Egotism in German Philosophy — Chapter XV. German Genius (1916)

A tragic end and a multitude of enemies may seem good to the absolute hero and necessary to his perfect heroism. In the same way, to be without a subject-matter or an audience may seem good to the absolute poet, who sings to himself as he goes, exclusively for the benefit of that glorious and fleeting moment. Genius could not be purer than that: although perhaps it might be hard to prove that it was genius.
Source: Wikisource

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