Charles Carroll Everett

Charles Carroll Everett

Summary

Portrait of Charles Carroll Everett Charles Carroll Everett Fichte's Science of Knowledge… (1892)

It will be seen how close this comes to the position of Schopenhauer in regard to happiness; namely, that what we call happiness consists only in the removal of pain; that it becomes less, the more the discomfort is lessened, and ceases when the discomfort ceases. How sweet is water to one tormented by thirst! How insipid when the thirst disappears! Happiness thus always nestles in the bosom of unhappiness; it can, therefore, never be positive.
Source: Wikisource

Portrait of Charles Carroll Everett Charles Carroll Everett Fichte's Science of Knowledge… (1892)

Fichte, at one time, hoped to apply his system to aesthetics; but his nature was too ethical and active to feel much real attraction in that direction. He looks at this matter as at all others, from the ethical standpoint. Beauty, in his view, is the manifestation of the ideal in nature; and the ideal belongs to the inner life of the spirit. Thus in the contemplation of beauty, the limitations of the material and the sensuous are broken through, and the spirit returns to itself. The enjoyment of beauty is thus not virtue—it is the preparation for virtue
Source: Wikisource

Portrait of Charles Carroll Everett Charles Carroll Everett Fichte's Science of Knowledge… (1892)

Thus the absolute condemnation of falsehood is one of the most marked features of Fichte’s moral system; under no circumstances must a lie be uttered. When Fichte comes to seek the reason for this requirement, he finds it in the fact that, while rationality of life is the demand that is made upon all men, rationality is impossible if men have a false conception of their surroundings. If we lie, we give men a false impression, and take from them the possibility of reasonable conduct.
Source: Wikisource

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