Rabindranath Tagore

Rabindranath Tagore

Summary

Portrait of Rabindranath Tagore Rabindranath Tagore Mashi and Other Stories (1918)

It was Sasi's supreme duty to trust her husband's word, but Sasi could not. At last her happy home, the domesticity of her love seemed hateful to her. That home life which had once seemed her supreme refuge was nothing more than a cruel snare of self-interest, which had surrounded them, brother and sister, on all sides. She was a woman, single-handed, and she knew not how she could save the helpless Nilmani. The more she thought, the more her heart filled with terror, loathing, and an infinite love for her imperilled little brother.
Source: Wikisource

Portrait of Rabindranath Tagore Rabindranath Tagore Mashi and Other Stories (1918)

Though Jotin was pained when Mani didn't come, yet he felt a certain amount of relief. He had half feared that Mani's bodily presence would do violence to his heart's image of her. Such things had happened before in his life. And the gladness of the idea that Mani was miserable at burning his milk filled his heart to overflowing.
"Mashi!"
"What is it, Baba?"
"I feel quite certain that my days are drawing to a close. But I have no regrets. Don't grieve for me."
"No, dear, I won't grieve. I don't believe that only life is good and not death."
Source: Wikisource

Portrait of Rabindranath Tagore Rabindranath Tagore Mashi and Other Stories (1918)

On the dark water of the Ganges lay a line of glistening moonlight. On the bank above, in bush and hedge, under the porch of the temple, in the base of mined houses, by the side of the tank, in the palm grove, gathered shadows of fantastic shape. The bats swung from the chhatim boughs. Near the houses the loud clamour of the jackals rose and sank into silence.
Slowly the Sanyasi came out of the temple. Descending a few steps of the ghāt he saw a woman sitting alone, and was about to go back, when suddenly Kusum raised her head, and looked behind her. The veil slipped away from her.
Source: Wikisource

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