Ralph Henry Barbour

Ralph Henry Barbour

Summary

Portrait of Ralph Henry Barbour Ralph Henry Barbour Joan of the Island (1920)

Indeed, Joan had noticed, ever since Keith arrived at Tao Tao, that there had been a gradual change creeping over him. At first he was preternaturally serious, and there was a hard look about his mouth which only relaxed in rare moments of merriment. Nowadays he was becoming more human. The careworn expression flitted across his face like a shadow at odd moments, as when he was gazing out into the unknown, over and beyond the horizon, but it vanished as quickly as it came. Joan never tried to peer under that mask of gloom which dropped over his face at times.
Source: Wikisource

Portrait of Ralph Henry Barbour Ralph Henry Barbour Joan of the Island (1920)

Keith had kept an eye on the plantation workers, who had been busy, in their own lethargic fashion; but the knowledge that Moniz was poaching without let or hindrance made Keith wince. He felt no anxiety about Chester's absence. To-day is generally considered as good as to-morrow or yesterday in the South Seas, and one rarely keeps any appointment there, except with death. It was noon on the next day before the unexpected happened. Sailing gracefully as a bird into the bay beneath the bungalow came Moniz's schooner, with a white sheet fluttering from her peak.
Source: Wikisource

Portrait of Ralph Henry Barbour Ralph Henry Barbour Joan of the Island (1920)

The dome of night was as black as an Egyptian tomb save when a cloud bank opened timidly and admitted a fleeting glimpse of the thin crescent in the heavens. Over all the hot breath of the South Pacific, ozone laden, came to purge its island children of fever. Soughing softly through the palms, it kissed Tao Tao as a mother kisses a sleeping babe, and passed on, coming out of the great nowhere and going into the beyond. But for the rustling of the great leaves there was stillness everywhere. Tao Tao was wrapped in the deep slumber of equatorial night.
Source: Wikisource

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