Ralph Waldo Emerson

Ralph Waldo Emerson

Summary

Portrait of Ralph Waldo Emerson Ralph Waldo Emerson Essays: Second Series — Character (1844)

Poetry is joyful and strong, as it draws its inspiration thence. Men write their names on the world, as they are filled with this. History has been mean; our nations have been mobs; we have never seen a man: that divine form we do not yet know, but only the dream and prophecy of such: we do not know the majestic manners which belong to him, which appease and exalt the beholder. We shall one day see that the most private is the most public energy, that quality atones for quantity, and grandeur of character acts in the dark, and succors them who never saw it.
Source: Wikisource

Portrait of Ralph Waldo Emerson Ralph Waldo Emerson Essays: Second Series — Character (1844)

What greatness has yet appeared, is beginnings and encouragements to us in this direction. The history of those gods and saints which the world has written, and then worshipped, are documents of character. The ages have exulted in the manners of a youth who owed nothing to fortune, and who was hanged at the Tyburn of his nation, who, by the pure quality of his nature, shed an epic splendor around the facts of his death, which has transfigured every particular into an universal symbol for the eyes of mankind.
Source: Wikisource

Portrait of Ralph Waldo Emerson Ralph Waldo Emerson Essays: Second Series — Character (1844)

Character is nature in the highest form. It is of no use to ape it, or to contend with it. Somewhat is possible of resistance, and of persistence, and of creation, to this power, which will foil all emulation.
This masterpiece is best where no hands but nature's have been laid on it. Care is taken that the greatly-destined shall slip up into life in the shade, with no thousand-eyed Athens to watch and blazon every new thought, every blushing emotion of young genius.
Source: Wikisource

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