Summary

Portrait of Rex Ingram Rex Ingram The Four Horsemen of the Apocalypse (1921)

In a world old in hatred and bloodshed, where nation is crowded against nation and creed against creed, centuries of wars have sown their bitter seed, and the fires of resentment smouldering beneath the crust of civilization but await the breaking of the Seven Seals of Prophecy to start a mighty conflagration.
While in the New World, boundless space offers a haven to the alien, and ancient hatreds are forgotten.
And from Spain to the new land of the Argentine had come Madariaga, the centaur. Years of toil had yielded their reward until his vast grazing lands rivaled a king's domain.
Source: Wikisource

Portrait of Rex Ingram Rex Ingram The Four Horsemen of the Apocalypse (1921)

And so Madariaga remained at his own fireside, amusing himself with Julio's young sister Chichí.
Luisa, Magariaga's elder daughter, the Frenchman's wife.
"Is it not enough to lead my son into wild ways without teaching my daughter the tango?"
"Would you have the boy grow up like those glass-eyed carrot-topped sharks of your sister's?"
"Por Dios! Women are the plague of our existence, but we cannot get along without them—eh, Frenchy?"
"There's no need to worry about Julio. You're too miserly—youth must have its fling!"
Source: Wikisource

Portrait of Rex Ingram Rex Ingram The Four Horsemen of the Apocalypse (1921)

And with the passing of a score of years, senile and old, living again in his grandson, Madariaga still clung to life and its pleasures.
Encouraged by an indulgent grandfather who was his ideal, what chance had Julio Desnoyers to be other than a youthful libertine?
"That's Madariaga—the richest man in the Argentine! Last week he shipped thirty thousand head of cattle to Europe."
"The boy is part French and the old man's idol. He has no use for his three German grandsons."
Source: Wikisource

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