Vicente Blasco Ibáñez,
The Four Horsemen of the Apocalypse
(1919)
“ Never had the elder Desnoyers promenaded the streets of Paris with such solid satisfaction as by the side of this muscular youth in his gloriously worn cloak, on whose breast were glistening his two decorations—the cross of war and the military medal. He was a hero, and this hero was his son. He accepted as homage to them both the sympathetic glances of the public in the street cars and subways. The interest with which the women regarded the fine-looking youth tickled him immensely. ”
