Summary

Portrait of Robert Browning Robert Browning The Ring and the Book — IV. Tertium Quid

For the good of Guido, using, as the lure,
Pompilia whom, himself and she avouch,
He had nor spoken with nor seen, indeed,
Beyond sight in a public theatre,
When she wrote letters (she that could not write!)
The importunate shamelessly-protested love
Which brought him, though reluctant, to her feet,
And forced on him the plunge which, howsoe'er
She might swim up i' the whirl, must bury him
Under abysmal black: a priest contrive
No better, no amour to be hushed up,
But open flight and noon-day infamy?
Try and concoct defence for such revolt!
Source: Wikisource

Portrait of Robert Browning Robert Browning The Ring and the Book — IV. Tertium Quid

And last, Pompilia rushes here and there
Like a dove among the lightnings in her brake
Falls also: Guido's, this last husband's-act.
He lifts her by the long dishevelled hair,
Holds her away at arm's length with one hand,
While the other tries if life come from the mouth-
Looks out his whole heart's hate on the shut eyes,
Draws a deep satisfied breath, "So—dead at last!"
Throws down the burden on dead Pietro's knees,
And ends all with "Let us away, my boys!"
Source: Wikisource

Portrait of Robert Browning Robert Browning The Ring and the Book — IV. Tertium Quid

Which brownness is least black,—decide who can,
Wager-by-battle-of-cheating! What do you say,
Highness? Suppose, your Excellency, we leave
The question at this stage, proceed to the next,
Both parties step out, fight their prize upon,
In the eye o' the world?
They brandish law 'gainst law;
The grinding of such blades, each parry of each,
Throws terrible sparks off, over and above the thrusts,
And makes more sinister the fight, to the eye,
Than the very wounds that follow.
Source: Wikisource

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