Summary

Portrait of Robert Curzon Robert Curzon Armenia: A year at Erzeroom, and on the frontiers of Russia…

Armenia, the cradle of the human family, inoffensive and worthless of itself, has for centuries, indeed from the beginning of time, been a bone of contention between conflicting powers: scarcely has it been made acquainted with the blessings of tranquillity and peace, through the mediation of Great Britain, than again it is to become the theatre of war, again to be overrun with bands of armed men seeking each other’s destruction, [ix] in a climate which may afford them burial when dead, but which is too barren and inhospitable to provide them with the necessaries of life
Source: Gutenberg

Portrait of Robert Curzon Robert Curzon Armenia: A year at Erzeroom, and on the frontiers of Russia…

Some of the minarets, and many of the houses of the city, were demolished; parts of the ancient castellated walls fell down. The top of one of the two beautiful minarets of the old medressé, the glory of Erzeroom, called usually Eki Chifteh, disappeared. Those who were out, and able to witness the devastation, and to hear the awful roaring noise, said they had never seen or heard any thing more tremendous than the scene before their eyes.
Source: Gutenberg

Portrait of Robert Curzon Robert Curzon Armenia: A year at Erzeroom, and on the frontiers of Russia…

But the Czar is not an aged monk; he is not wanting in energy or strength; and he will not fail to pull the strings which hang loosely in the hands of the Armenian patriarch. If he pulls them evenly and well, he will advance his interests far and wide, even in the dominions of other princes, who may hardly be aware of the influence exercised in their states from a source so distant and unobtrusive. The danger in his case is, that he may use too great violence, and break the strings from too severe a tension, raising the storm against himself which he intended to direct against others.
Source: Gutenberg

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