William Eleroy Curtis

William Eleroy Curtis

Summary

Portrait of William Eleroy Curtis William Eleroy Curtis Around the Black Sea

In the villages on market days you can see crowds of peasants, both men and women, wearing the national dress, which is artistic and attractive. In Bukharest, however, the women wear Paris gowns and Paris hats, and the hobble skirt is as common these days as it is in any city of Europe. The extravagance of the people is seen on every block. The cafés are numerous, and they are always crowded; the public vehicles are smarter than any you see in London, or Paris, or New York, and they are drawn by magnificent Russian horses, black as ebony, with long, flowing manes and tails.
Source: Gutenberg

Portrait of William Eleroy Curtis William Eleroy Curtis Around the Black Sea

Coasting along the south shore of the Black Sea, we were sailing through a land of fable, and our steamer touched at some scene of Greek mythology two or three times every day. At every port where we stopped to discharge or take on cargo we were surrounded by fleets of queer-looking boats with high-pointed prows and sterns, like the gondolas of Venice and the ancient galleys of the Greeks. There is always an exciting scramble when the gangway is lowered, and the barefooted boatmen climb over each other to get on board to solicit the patronage of the passengers.
Source: Gutenberg

Portrait of William Eleroy Curtis William Eleroy Curtis Around the Black Sea

We awakened in the morning in the midst of a wide prairie which reminded us more than ever of North Dakota, and we saw what looked like American reapers in the fields and heard their music above the noise of the train. Much of the harvest work was being done by women, which isn’t the Dakota way, but the men are in the army and somebody must reap the grain.
Source: Gutenberg

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