William Eleroy Curtis

William Eleroy Curtis

Summary

Portrait of William Eleroy Curtis William Eleroy Curtis The Turk and his lost provinces (1903)

Hymettus and Pentelikos, the two famous mountains which lie on either side of Athens, are often enveloped in a curious pink glow at sunset, and then, as the flame fades out of the sky, they take on a deep violet tinge. The Greek sunset is something that cannot be represented on canvas. Artists and poets rave about it, but it is beyond their power to reproduce.
It is not a land for luxurious people, however. The climate is more to be recommended than the hotels, but the natural scenery has a variety, a richness and a color that no other part of Europe affords.
Source: Gutenberg

Portrait of William Eleroy Curtis William Eleroy Curtis The Turk and his lost provinces (1903)

Constantinople was then the center of the world and the headquarters of the Christian Church, and it was the ambition of that great emperor to embody in this building an expression of his adoration for and devotion to the omniscient and the omnipotent God, to place before the world a symbol combining all things beautiful, all art—then rescued from paganism—all riches, all human thought and skill as a tribute to the Creator.
Source: Gutenberg

Portrait of William Eleroy Curtis William Eleroy Curtis The Turk and his lost provinces (1903)

The state of the Turkish Empire—morally, socially, financially and politically—betokens the coming of a night of anguish. In every department of government the amount of shameless iniquity is appalling. Simony and bribery, treachery and extortion, always present, but once wont to hide themselves, have lost all shame and fear of rebuke, and are hideous in their ramifications. Socially the situation everywhere is dismal. You read of riots and bloodshed in Albania, in Montenegro, along the frontiers of Bulgaria, and more recent outrages and bloodshed in Armenia.
Source: Gutenberg

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