Robert E. Howard

Robert E. Howard

Summary

Portrait of Robert E. Howard Robert E. Howard Blood of the Gods (1935)

The Djinn of the Caves THE CAVES of EL KHOUR pit the sheer eastern walls of a gaunt hill-range that rises like a stony backbone out of a waste of rocky plains. There is only one spring in the hills; it rises in a cave high up in the wall and curls down the steep rocky slope, a slender thread of silver, to empty into a broad shallow pool below. The sun was hanging like a blood-red ball above the western desert when Francis Xavier Gordon halted near this pool and scanned the rows of gaping cave-mouths with blood-shot eyes.
Source: Wikisource

Portrait of Robert E. Howard Robert E. Howard Blood of the Gods (1935)

Gordon set food and water beside him.
His explorations revealed no more unexpected tunnels. Gordon returned to the ledge with tins of food and a skin of water, procured from the stream which had its source in one of the caves. They ate lying flat on the shelf, for keen eyes were watching with murderous hate and eager trigger-finger from ridge and rock. The sun had passed its zenith.
Their frugal meal finished, the white men lay baking in the heat like lizards on a rock, watching the ridge. The afternoon waned.
"You've got another rifle," said Hawkston.
Source: Wikisource

Portrait of Robert E. Howard Robert E. Howard Blood of the Gods (1935)

His muscles were like quivering steel wires under Gordon's grasp, that writhed and knotted. His teeth snapped beast-like at Gordon's throat, and as the American jerked back his head to escape them, Al Wazir tore loose his right arm, and whipped it over Gordon's left arm and down. Before the American could prevent it, he had grasped the scimitar hilt and torn the blade from its scabbard. Up and back went the long arm, with the sheen of naked steel, and Gordon, sensing death in the lifted sword, smashed his left fist to the madman's jaw.
Source: Wikisource

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