Robert E. Howard

Robert E. Howard

Summary

Portrait of Robert E. Howard Robert E. Howard Hawk of the Hills (1935)

Gordon moved his head frequently to avoid blows, but he seldom shifted his feet except to keep his enemy always in front of him. His stance was as firm as that of a deep-rooted rock, and his blade was never beaten down. Beneath the heaviest blows the Pathan could deal, it opposed an unyielding guard.
The man's wrist and forearm must be made of iron, thought Willoughby, staring in amazement. Afdal Khan beat on El Borak's tulwar like a smith on an anvil, striving to beat the American to his knee by the sheer weight of his attack; cords of muscle stood out on Gordon's wrist as he met the attack.
Source: Wikisource

Portrait of Robert E. Howard Robert E. Howard Hawk of the Hills (1935)

Scenery, however awesome, is but a background for the human drama in its varying phases. Gordon's soul was a maelstrom of wrath, and the distant, dwindling shout below him drove crimson waves of murder surging through his brain. He drew from his boot the long knife he had placed there when he began his desperate climb. Half-dried blood stained the sharp steel, and the sight of it gave him a fierce satisfaction. There were dead men back there in the valley into which the gorge ran, and not all of them were Gordon's Afridi friends.
Source: Wikisource

Portrait of Robert E. Howard Robert E. Howard Hawk of the Hills (1935)

Men howled with amazement and fired blindly and unreasoningly in the direction of the flash and roar. While they howled and fired, Gordon reached the gully and plunged into it almost without checking his stride--to collide with a shadowy figure which grunted and grappled with him.
In an instant Gordon's hands locked on a hairy throat, stifling the betraying yell. They went down together, and a rifle, useless in such desperate close quarters, fell from the Pathan's hand. Out on the plain pandemonium had burst, but Gordon was occupied with the blood-crazy savage beneath him.
Source: Wikisource

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