Robert Louis Stevenson

Robert Louis Stevenson

Summary

Portrait of Robert Louis Stevenson Robert Louis Stevenson Encyclopædia Britannica, Ninth Edition (1878)

This was the last public event of Béranger's life. He continued to polish his songs in retirement, visited by nearly all the famous men of France. He numbered among his friends Chateaubriand, Thiers, Laffitte, Michelet, Lamennais, Mignet. Nothing could exceed the amiability of his private character; so poor a man has rarely been so rich in good actions; he was always ready to receive help from his friends when he was in need, and always forward to help others.
Source: Wikisource

Portrait of Robert Louis Stevenson Robert Louis Stevenson Encyclopædia Britannica, Ninth Edition (1878)

The songs of Béranger would scarcely be called songs in England. They are elaborate, written in a clear and sparkling style, full of wit and incision. It is not so much for any lyrical flow as for the happy turn of the phrase that they claim superiority. Whether the subject be gay or serious, light or passionate, the medium remains untroubled. The special merits of the songs are merits to be looked for rather in English prose than in English verse.
Source: Wikisource

Portrait of Robert Louis Stevenson Robert Louis Stevenson Encyclopædia Britannica, Ninth Edition (1878)

He worked deliberately, never wrote more than fifteen songs a year and often less, and was so fastidious that he has not preserved a quarter of what he finished. "I am a good little bit of a poet," he says himself, "clever in the craft, and a conscientious worker, to whom old airs and a modest choice of subjects (le coin ou je me suis confiné) , have brought some success."
Source: Wikisource

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