Summary

Portrait of Robert Louis Stevenson Robert Louis Stevenson The Annotated Strange Case of Dr Jekyll and Mr Hyde…

Now the hand of Henry Jekyll (as you have often remarked) was professional in shape and size: it was large, firm, white and comely. But the hand which I now saw, clearly enough, in the yellow light of a mid-London morning, lying half shut on the bedclothes, was lean, corder, knuckly, of a dusky pallor and thickly shaded with a swart [13] growth of hair. It was the hand of Edward Hyde.
I must have stared upon it for near half a minute, sunk as I was in the mere stupidity of wonder, before terror woke up in my breast as sudden and startling as the crash of cymbals
Source: Wikisource

Portrait of Robert Louis Stevenson Robert Louis Stevenson The Annotated Strange Case of Dr Jekyll and Mr Hyde…

But when I slept, or when the virtue of the medicine wore off, I would leap almost without transition (for the pangs of transformation grew daily less marked) into the possession of a fancy brimming with images of terror, a soul boiling with causeless hatreds, and a body that seemed not strong enough to contain the raging energies of life. The powers of Hyde seemed to have grown with the sickliness of Jekyll.
Source: Wikisource

Portrait of Robert Louis Stevenson Robert Louis Stevenson The Annotated Strange Case of Dr Jekyll and Mr Hyde…

I began to be tortured with throes and longings, as of Hyde struggling after freedom; and at last, in an hour of moral weakness, I once again compounded and swallowed the transforming draught.
I do not suppose that, when a drunkard reasons with himself upon his vice, he is once out of five hundred times affected by the dangers that he runs through his brutish, physical insensibility; neither had I, long as I had considered my position, made enough allowance for the complete moral insensibility and insensate readiness to evil, which were the leading characters of Edward Hyde.
Source: Wikisource

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