Robert Nisbet Bain

Summary

Robert Nisbet Bain 1911 Encyclopedia Britannica (1911)

Petöfi was more subjective, more individual; Arany was more objective and national. As a lyric poet Petöfi naturally gave expression to present moods and feelings; as an epic poet Arany plunged into the past. He took his standpoint on tradition. His art was essentially rooted in the character of the whole nation and its glorious history. His genius was unusually rich and versatile; his artistic conscience always alert and sober. His taste was extraordinarily developed and absolutely sure. To say nothing of his other great qualities, he is certainly the most artistic of all the Magyar poets.
Source: Wikisource

Robert Nisbet Bain 1911 Encyclopedia Britannica (1911)

Anne was a grim, sullen woman, frankly sensual, but as well-meaning as ignorance and vindictiveness would allow her to be. But she had much natural good sense, was a true friend and, in her more cheerful moments, an amiable companion. Lady Rondeau’s portrait of the empress shows her to the best advantage. She is described as a large woman, towering above all the cavaliers of her court, but very well shaped for her size, easy and graceful in her person, of a majestic bearing, but with an awfulness in her countenance which revolted those who disliked her.
Source: Wikisource

Robert Nisbet Bain 1911 Encyclopedia Britannica (1911)

It was to Arakcheev that Paul entrusted the reorganization of the army, which during the latter days of Catherine had fallen into a state of disorder and demoralization. Arakcheev remorselessly applied the iron Gatchina discipline to the whole of the imperial forces, beginning with the Guards. He soon became generally detested by the army, but pursued his course unflinchingly and introduced many indispensable hygienic reforms. “Clean barracks are healthy barracks,” was his motto.
Source: Wikisource

Get perspective with Kwize: daily news enlightened by great literature