Summary

Robert Owen Allsop The Turkish Bath, Its Design and Construction

As a consequence, we have had, and still have, placed before the public, and meeting with undeserved success, "Turkish baths" which are such only in name—unhealthy, ill-ventilated cellars, where the air, deteriorated at the outset by the heating apparatus, stagnates in the sudatory chambers, and becomes loaded with the exhalations and emanations of the bathers, and not unfrequently charged with a nauseating and disgusting odour. What wonder that we so often hear persons remark that they have tried the bath, but neither enjoyed it nor did it agree with them!
Source: Gutenberg

Robert Owen Allsop The Turkish Bath, Its Design and Construction

One portion of the tepidarium, and other bath rooms, admits of being rendered very attractive; and that is the flooring. Mosaic work is always pleasing, if it be designed with taste and executed artistically. Marble and tile mosaics are both good, the former admitting of a richness of effect quite its own, and the latter of brilliant colouring. In designing marble-mosaic floors, however, one may well fight shy of including that senseless, purposeless description which is nowadays so often employed as a filling-in between borders.
Source: Gutenberg

Robert Owen Allsop The Turkish Bath, Its Design and Construction

And one might be pardoned for the enthusiasm which would lead one to suggest that it is only in the supplying of this kind of radiant heat in the modern bath that true and rapid progress can be expected, and possibly that not until this great or partial—according as the system of radiation and convection pertains in existing baths—revolution has been effected, will the bath, at present used by the few, become the custom of the many.
Source: Gutenberg

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