Summary

Portrait of E. C. Gardner E. C. Gardner The House That Jill Built, after Jack's Had Proved a Failure

But if a brick house is not beautiful—here again the fault is not, dear Jack, in the bricks; but in ourselves, our prejudices and our architects—other things being equal, it should be more beautiful than a wooden house, because the material employed is more appropriate for its use. (I should like to deliver an oration at this point, for upon this Golden Rule of utility hang all the law and the prophets of architectural beauty, but will defer it to a more fitting occasion.) There is, in truth, no limit to the grace of form, color and decoration possible with burned clay.
Source: Gutenberg

Portrait of E. C. Gardner E. C. Gardner The House That Jill Built, after Jack's Had Proved a Failure

Jill was indignant, Bessie horrified—apparently, Jim greatly amused, and Jack sublimely indifferent. "If there's anything I despise," said Jill, "it is a house that makes a human being seem like an elephant, and where I can't say my prayers or move a chair in my own room without rousing the entire household."
"There's one good thing about it," said Jim pleasantly. "You can't help knowing what is going on in your own house."
"Spoken like a man and a brother, James. You always go to the root of a matter.
Source: Gutenberg

Portrait of E. C. Gardner E. C. Gardner The House That Jill Built, after Jack's Had Proved a Failure

Everybody thinks so much more of the beautiful than they used to. Some of my friends have the loveliest rooms. The tones are so harmonious, the decorations so exquisite! Such sympathetic feeling and spiritual unity! I wish you could see Kitty Kane's hall. It isn't bigger than a bandbox, but there's the cunningest little fireplace in one corner, with real antique andirons and the quaintest old Dutch tiles. They never make a fire in it; couldn't if they wanted to—it smokes so. But it is so lovely and gives the hall such a sweet expression. You will forgive me, won't you, Jill, dear?
Source: Gutenberg

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