Summary

Louis H. Gibson Convenient Houses, With Fifty Plans for the Housekeeper

Very little more may be said about the sitting-room, excepting to call to mind that a great deal depends upon the fittings and furnishings of the room, which, however, should not be glaring or rich. The quality of everything may be of the finest and best, yet this room should essentially be quieter in tone than the reception-hall or parlor, or even dining-room, which are not in constant use. Anything which is rich and in any way approaches the gorgeous is wearisome, and directly opposed to the idea of a sitting-room.
Source: Gutenberg

Louis H. Gibson Convenient Houses, With Fifty Plans for the Housekeeper

As is said in another connection, the architect does not do his full duty in making a house a model of convenience and utility. The housekeeper always looks toward a beautiful home, something that will be recognized for its beauty and elegance. A house that is beautiful and attractive gives pleasure to all who see it, as well as to the occupants. A beautiful, artistic house is a source of education to the occupants. A porch with clumsy columns, rude mouldings, heavy ceiling, coarse details of all kinds, cannot but affect one’s living.
Source: Gutenberg

Louis H. Gibson Convenient Houses, With Fifty Plans for the Housekeeper

No man can walk across a front porch, time after time, and take hold of a beautiful door, without being affected by it. For this reason the vestibule, the front door, and all that belongs to it, should be designed in a thoughtful spirit, with the idea that it is the first of all things that will impress those who enter the house. There may not be much money to put into this door, but what there is may as well bring something beautiful as something ugly. The same money that will make an ugly detail will make a beautiful, artistic one.
Source: Gutenberg

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