E. C. Gardner

Biographical details

Portrait of E. C. Gardner E. C. Gardner,  The House That Jill Built, after Jack's Had Proved a Failure

“ Everybody thinks so much more of the beautiful than they used to. Some of my friends have the loveliest rooms. The tones are so harmonious, the decorations so exquisite! Such sympathetic feeling and spiritual unity! I wish you could see Kitty Kane's hall. It isn't bigger than a bandbox, but there's the cunningest little fireplace in one corner, with real antique andirons and the quaintest old Dutch tiles. They never make a fire in it; couldn't if they wanted to—it smokes so. But it is so lovely and gives the hall such a sweet expression. You will forgive me, won't you, Jill, dear? ”
Source: Gutenberg

Portrait of E. C. Gardner E. C. Gardner,  Homes and How to Make Them

“ A superficial view of building is one. The masons are scarcely noticed before the foundation-walls are laid; the walls shoot up in a single day; the roof spreads its saving shelter as easily as though it were a huge umbrella; the windows open their eyes in new-born wonder; the chimneys breathe the blue breath of home life out into the world; the painter touches the clapboards with his magic wand; and, with one accord, all men cry out, and especially all women, "Wal, I do declare! That air house goes up in a hurry, don't it? Guess there hain't much but green lumber gone into that. ”
Source: Gutenberg

Portrait of E. C. Gardner E. C. Gardner,  The House That Jill Built, after Jack's Had Proved a Failure

“ But if a brick house is not beautiful—here again the fault is not, dear Jack, in the bricks; but in ourselves, our prejudices and our architects—other things being equal, it should be more beautiful than a wooden house, because the material employed is more appropriate for its use. (I should like to deliver an oration at this point, for upon this Golden Rule of utility hang all the law and the prophets of architectural beauty, but will defer it to a more fitting occasion.) There is, in truth, no limit to the grace of form, color and decoration possible with burned clay. ”
Source: Gutenberg

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