Summary

Portrait of Robert W. Chambers Robert W. Chambers The King in Yellow — The Street of Our Lady of the Fields (1895)

Fancy a man fishing with a float and sinker when he has a fly rod in his hand! You come along!”
Where the placid little Ept flows down between its thickets to the Seine, a grassy bank shadows the haunt of the gudgeon, and on this bank sat Colette and Jacqueline and chattered and laughed and watched the swerving of the scarlet quills, while Hastings, his hat over his eyes, his head on a bank of moss, listened to their soft voices and gallantly unhooked the small and indignant gudgeon when a flash of a rod and a half suppressed scream announced a catch.
Source: Wikisource

Portrait of Robert W. Chambers Robert W. Chambers The King in Yellow — The Street of Our Lady of the Fields (1895)

The light on the Palace windows had died away, and the dome of the Pantheon swam aglow above the northern terrace, a fiery Valhalla in the sky, while below in grim array along the terrace ranged, the marble ranks of queens, looked out into the west.
From the end of the long walk by the nortnern façade of the Palace came the noise of omnibuses and the cries of the street. Hastings looked at the Palace clock. Six, and as his own watch agreed with it, he fell to poking holes in the gravel again. A constant stream of people Passed between the Odeon and the fountain.
Source: Wikisource

Portrait of Robert W. Chambers Robert W. Chambers The King in Yellow — The Street of Our Lady of the Fields (1895)

They came at last, with a shuffle of feet and click of bayonets, the word was passed, the relief fell out, and away they went, crunch, crunch, across the gravel.
A mellow chime floated from the clock-tower of the palace, the deep bell of St. Sulpice, echoed the stroke. Hastings sat dreaming in the shadow of the god, and while he mused, somebody came and sat down beside him. At first he did not raise his head. It was only when she spoke that he sprang up.
Source: Wikisource

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