Robert W. Chambers

Robert W. Chambers

Summary

Portrait of Robert W. Chambers Robert W. Chambers The King in Yellow

He held the lily toward me, and I took it in my hand. It had turned to stone, to the purest marble.
"You see," he said, "it is without a flaw. What sculptor could reproduce it?"
The marble was white as snow, but in its depths the veins of the lily were tinged with palest azure, and a faint flush lingered deep in its heart.
"Don't ask me the reason of that," he smiled, noticing my wonder. "I have no idea why the veins and heart are tinted, but they always are. Yesterday I tried one of Geneviève's gold-fish,—there it is."
Source: Gutenberg

Portrait of Robert W. Chambers Robert W. Chambers The King in Yellow

Rue Barrée sighed again. She was very happy. The sky was so blue, the air so soft and perfumed, the sunshine so caressing, and her heart sang within her, sang to the rose in her breast. This is what it sang: "Out of the throng of passers-by, out of the world of yesterday, out of the millions passing, one has turned aside to me."
So her heart sang under his rose on her breast. Then two big mouse-coloured pigeons came whistling by and alighted on the terrace, where they bowed and strutted and bobbed and turned until Rue Barrée laughed in delight, and looking up beheld Clifford before her.
Source: Gutenberg

Portrait of Robert W. Chambers Robert W. Chambers The King in Yellow

There are so many things which are impossible to explain! Why should certain chords in music make me think of the brown and golden tints of autumn foliage? Why should the Mass of Sainte Cécile bend my thoughts wandering among caverns whose walls blaze with ragged masses of virgin silver? What was it in the roar and turmoil of Broadway at six o'clock that flashed before my eyes the picture of a still Breton forest where sunlight filtered through spring foliage and Sylvia bent, half curiously, half tenderly, over a small green lizard, murmuring: "To think that this also is a little ward of God!"
Source: Gutenberg

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