Summary

Portrait of Rudyard Kipling Rudyard Kipling The Irish Guards in the Great War… (1923)

An improved trench could be walked along, without too much stooping. Unimproved dittoes demanded that men should get out and run in the open, steeple-chasing across wreckage of tinware and timber, the bramble-like embraces of stray wire-ends, and that brittle and insecure foothold afforded by a stale corpse, while low flights of machine-gun bullets hastened their progress, or shrapnel overhead hunted the party as hawks hunt small birds in and out of hedges.
Source: Gutenberg

Portrait of Rudyard Kipling Rudyard Kipling The Irish Guards in the Great War… (1923)

Next dawn saw no more unbuttoned ease or “idyllic” promenades along that line.
As the days lengthened arctic cold set in. The tracks between the posts became smears of black ice, and shells burst brilliantly on ground that was as pave-stones to the iron screw-stakes of the wiring. One shell caught a carrying-party on the night of the 20th January, slightly wounding Lieutenant Hanbury who chanced to be passing at the time, and wounding Sergeant Roddy and two men. The heavies behind them used the morning of the 21st to register on their left and away to the north.
Source: Gutenberg

Portrait of Rudyard Kipling Rudyard Kipling The Irish Guards in the Great War… (1923)

Vieux-Berquin had been a battle, in the open, of utter fatigue and deep bewilderment, but with very little loss of morale or keenness, and interspersed with amazing interludes of quiet in which men found and played upon pianos in deserted houses, killed and prepared to eat stray chickens, and were driven forth from their music or their meal by shells or the sputter of indefatigable machine-guns. Our people did not attach much importance to the enemy infantry, but spoke with unqualified admiration of their machine-gunners.
Source: Gutenberg

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