S. Baring-Gould

Summary

S. Baring-Gould,  Brittany

“ There is first the monumental church itself, in the midst of a graveyard entered by a triumphal arch, a Holy Well, a Calvary, an ossuary, and an open oratory, where mass is celebrated before an enormous crowd on the occasion of the Pardon, and, finally, the church possesses a rare collection of precious ornaments, such as belong to no other parish in the diocese. The triumphal arch is of the 15th cent. The Holy Well is in the churchyard, and is a noble renaissance structure composed of a large basin, with two superposed vessels, from which heads of angels spout water. ”
Source: Gutenberg

S. Baring-Gould,  Brittany

“ The principal porch containing the miraculous image is closed by a grating and converted into a chapel; it contains modern statues of the apostles. The W. doorway is a magnificent specimen of renaissance work. Owing to the windows being all filled with modern coloured glass overloaded with colour, the interior cannot be well seen except on sunny days. The vaulting of the choir is sustained by flying buttresses within the church. The fine S.W. tower is an excellent but unfinished work of the renaissance. In the market-place is a leaden fountain of the renaissance. ”
Source: Gutenberg

S. Baring-Gould,  Brittany

“ Chancel and side aisles are vaulted. The nave has modern wood vaulting. The superb east window is filled with the finest stained glass, silvery in tone, with the colour set in it as jewels, after the English school, and entirely different from the prevailing Breton character of glass which, like the French, is overladen with colour. The modern glass in some of the windows is bad as bad can be. The tracery of the chancel windows is admirable. There is a second stained window, old, in the S. transept. In the chapel is the tomb of Guillaume de Rosmadec, 1608, in kersanton stone. ”
Source: Gutenberg

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