Sabine Baring-Gould

Sabine Baring-Gould

Summary

Portrait of Sabine Baring-Gould Sabine Baring-Gould A Book of Ghosts — Aunt Joanna (1904)

In Zennor is a little church, built of granite, rude and simple of construction, crouching low, to avoid the gales, but with a tower that has defied the winds and the lashing rains, because wholly devoid of sculptured detail, which would have afforded the blasts something to lay hold of and eat away. In Zennor parish is one of the finest cromlechs in Cornwall, a huge slab of unwrought stone like a table, poised on the points of standing upright blocks as rude as the mass they sustain.
Source: Wikisource

Portrait of Sabine Baring-Gould Sabine Baring-Gould A Book of Ghosts — Aunt Joanna (1904)

By it they saw a figure. There could be no mistaking it—it was that of Aunt Joanna, clothed in the tattered sheet that Elizabeth Hockin had allowed for her grave-clothes. The old woman had taken one of the fine linen sheets out of the cupboard in which it had been placed, and had spread it over the long table, and was smoothing it down with her bony hands.
The Hockins trembled, not with cold, though it was mid-winter, but with terror. They dared not advance, and they felt powerless to retreat.
Then they saw Aunt Joanna go to the cupboard, open it, and return with the silver spoons
Source: Wikisource

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