Summary

Portrait of Saki Saki The Toys of Peace and Other Papers… (1919)

Eric was hotly in favour of the latter contingency. “There would be Arabs on horseback,” he whispered; “the Albanians have got jolly uniforms, and they fight all day long, and all night, too, when there’s a moon, but the country’s rocky, so they’ve got no cavalry.”
A quantity of crinkly paper shavings was the first thing that met the view when the lid was removed; the most exciting toys always began like that. Harvey pushed back the top layer and drew forth a square, rather featureless building.
“It’s a fort!” exclaimed Bertie.
Source: Wikisource

Portrait of Saki Saki The Toys of Peace and Other Papers… (1919)

At the Children’s Welfare Exhibition, which opens at Olympia in three weeks’ time, the Peace Council will make an alternative suggestion to parents in the shape of an exhibition of ‘peace toys.’ In front of a specially-painted representation of the Peace Palace at The Hague will be grouped, not miniature soldiers but miniature civilians, not guns but ploughs and the tools of industry .
Source: Wikisource

Portrait of Saki Saki The Toys of Peace and Other Papers… (1919)

There’s a jolly game for you boys to play. I never had such toys when I was young.”
“I don’t think we’ll play with them just now,” said Eric, with an entire absence of the enthusiasm that his uncle had shown; “I think perhaps we ought to do a little of our holiday task. It’s history this time; we’ve got to learn up something about the Bourbon period in France.”
“The Bourbon period,” said Harvey, with some disapproval in his voice.
“We’ve got to know something about Louis the Fourteenth,” continued Eric; “I’ve learnt the names of all the principal battles already.”
Source: Wikisource

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