Summary

Portrait of Saki Saki The Unbearable Bassington

Lady Veula alone made no reference to the future; she simply said, “Good-bye, Comus,” but her voice was the kindest of all and he responded with a look of gratitude. The weariness in her eyes was more marked than ever as she lay back against the cushions of her carriage.
“What a tragedy life is,” she said, aloud to herself.
Serena and Stephen Thorle were the last to leave, and Francesca stood alone for a moment at the head of the stairway watching Comus laughing and chatting as he escorted the departing guests to the door.
Source: Gutenberg

Portrait of Saki Saki The Unbearable Bassington

If the picture typified harvest, it was a harvest of artificial growth.
“It leaves a great deal to the imagination, doesn’t it?” said Ada Spelvexit, who had edged away from the range of Lady Caroline’s tongue.
“At any rate one can tell who it’s meant for,” said Serena Golackly.
“Oh, yes, it’s a good likeness of dear Francesca,” admitted Ada; “of course, it flatters her.”
“That, too, is a fault on the right side in portrait painting,” said Serena; “after all, if posterity is going to stare at one for centuries it’s only kind and reasonable to be looking just a little better than one’s best.”
Source: Gutenberg

Portrait of Saki Saki The Unbearable Bassington

Francesca realised the futility of further upbraiding. Through the tears of vexation that stood in her eyes, she looked across at the handsome boy who sat opposite her, mocking at his own misfortune, perversely indifferent to his folly, seemingly almost indifferent to its consequences.
Comus,” she said quietly and wearily, “you are an exact reversal of the legend of Pandora’s Box. You have all the charm and advantages that a boy could want to help him on in the world, and behind it all there is the fatal damning gift of utter hopelessness.”
Source: Gutenberg

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