Summary

Samuel Butler The Authoress of the Odyssey — Chapter 3…

When, moreover, we come to think of it, it is not desirable that they should be broken down, for it is on their existence that much of the attraction of either sex to the other depends.
Men seem unable to draw women at all without either laughing at them or caricaturing them; and so, perhaps, a woman never draws a man so felicitously as when she is making him ridiculous. If she means to make him so she is certain to succeed; if she does not mean it she will succeed more surely still.
Source: Wikisource

Samuel Butler The Authoress of the Odyssey — Chapter 3…

But I doubt whether any writer in the whole range of literature (excepting, I suppose, Shakespeare) has succeeded in drawing a full length, life-sized, serious portrait of a member of the sex opposite to the writer's own.
It is admitted on all hands that the preponderance of interest in the "Iliad" is on the side of man, and in the "Odyssey" on that of woman. Women in the "Iliad" are few in number and rarely occupy the stage. True, the goddesses play important parts, but they are never taken seriously.
Source: Wikisource

Samuel Butler The Authoress of the Odyssey — Chapter 3…

If man thinks the noblest study for mankind to be man, woman not less certainly believes it to be woman.
Hence if in any work the women are found to be well and sympathetically drawn, while the men are mechanical and by comparison perfunctorily treated, it is, I imagine, safe to infer that the writer is a woman; and the converse holds good with man. Man and woman never fully understand one another save, perhaps, during courtship and honeymoon, and as a man understands man more fully than a woman can do, so does a woman, woman.
Source: Wikisource

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