Summary

Samuel Butler The Authoress of the Odyssey — Chapter 16…

We would have any number of first-class geniuses in art, literature and music, and yet have plenty of elbow room for ourselves. Our children too; they cannot show too many signs of genius, but at the same time we blame them if they do not get on in the world and make money as genius next to never does. Like the authoress of the "Odyssey" we are always wanting to have things both ways; we would have others be forgotten, and yet not be forgotten ourselves
Source: Wikisource

Samuel Butler The Authoress of the Odyssey — Chapter 16…

If the "Odyssey" enforces one artistic truth more than another, it is that living permanent work in literature (and the same holds good for art and music) can only be done by those who are either above, or below, conscious reference to any rules or canons whatsoever—and in spite of Shakespeare, Handel, and Rembrandt, I should say that on the whole it is more blessed to be below than above.
Source: Wikisource

Samuel Butler The Authoress of the Odyssey — Chapter 16…

I read the poem not to theorise about it, but to revel in its amazing beauty."
It would shock me to think that I have done anything to impair the sense of that beauty which I trust I share in even measure with himself, but surely if the "Odyssey" has charmed us as a man's work, its charm and wonder are infinitely increased when we see it as a woman's. Still more must it charm us when we find the writer to be an old friend, and see no inconsiderable part of her work as a reflection of her own surroundings.
Source: Wikisource

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