Summary

Portrait of Sax Rohmer Sax Rohmer,  Dr. Kreener’s Last Experiment (1922)

“ I wanted to escape from that reeking room, but my muscles refused to obey me, and there I stood.
“Kreener!” repeated the husky voice, and I saw that the speaker was rising unsteadily to his feet. “You have brought him again! Why have you brought him again? He will play—he will play me a step nearer to hell.”
“Brace yourself, Colquhoun,” said the voice of my companion. “Brace yourself.”
“Take him awa’!” came in a sudden frenzied shriek. “Take him awa’! He’s there at your elbow, Kreener, mockin’ me and pointing to that cursed violin.”
”
Source: Wikisource

Portrait of Sax Rohmer Sax Rohmer,  Dr. Kreener’s Last Experiment (1922)

“ Andrews was the name by which he was known to the circles in which he moved. No one, from Sir John Tennier, the fashionable portrait painter, to Kruski, of the Russian ballet, disputed Andrews’ right to be counted one of the elect. He was a great, red-bearded, unkempt Scotsman, and only once can I remember to have seen him strictly sober; but to hear him talk about painters and painting, in his thick Caledonian accent, was to look into the soul of an artist.
He was as sour as an unripe grapefruit, cynical, embittered, a man savagely disappointed with life and the world
”
Source: Wikisource

Portrait of Sax Rohmer Sax Rohmer,  Dr. Kreener’s Last Experiment (1922)

“ His great hands clutched Tchériapin’s throat; the insane Scotsman, for insane he was at that moment, forced the other back upon the settee from which he had half arisen. In vain I sought to drag him away from the writhing body, but I doubt if any man could have relaxed that deadly grip. Tchériapin’s eyes protruded hideously, and his tongue lolled forth from his mouth. One could hear the breath whistling through his nostrils, as Andrews silently, deliberately, squeezed the life out of him. ”
Source: Wikisource

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