Summary

Portrait of Sax Rohmer Sax Rohmer Tales of Chinatown — The House of Golden Joss (1922)

Indeed, even as he warned me, heralded by a creaking of bolts and the rattling of a chain, the door was opened by a fat, shapeless, half-caste woman of indefinite age; in whose dark eyes, now sunken in bloated cheeks, in whose full though drooping lips, and even in the whole overlaid contour of whose face and figure it was possible to recognize the traces of former beauty. This was Ma Lorenzo, who for many years had lived at that address with old Kwen Lung, of whom strange stories were told in Chinatown.
Source: Wikisource

Portrait of Sax Rohmer Sax Rohmer Tales of Chinatown — The House of Golden Joss (1922)

It was a strange thing to see in so sordid a setting; a great gilded joss, more than life-size, squatting, hideous, upon a massive pedestal; a figure fit for some native temple but strangely out of place in that dirty little Limehouse abode.
I had never before visited Kwen Lung's, but the fame of his golden joss had reached me, and I know that he had received many offers for it, all of which he had rejected. It was whispered that Kwen Lung was rich, that he was a great man among the Chinese, and even that some kind of religious ceremony periodically took place in his house.
Source: Wikisource

Portrait of Sax Rohmer Sax Rohmer Tales of Chinatown — The House of Golden Joss (1922)

Ten paces along the street a shabby-looking fellow was standing, leaning against a pillar. Harley stopped, and:
“Even the greatest men make mistakes sometimes, Hewitt,” he remarked. “I'm throwing up the case; probably Inspector Wessex will do the same. Good morning.”
On towards the Causeway he led me—for not a word was I capable of uttering; and just before we reached that artery of Chinatown, from down-river came the deep, sustained note of a steamer's siren, the warning of some big liner leaving dock.
“That will be the Patna,” said Harley. “She sails at twelve o'clock, I think you said?”
Source: Wikisource

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