Summary

Portrait of Sax Rohmer Sax Rohmer The Haunting of Low Fennel

Yet out here in the moonlight where the silence was, out beyond the radius of “sights,” lay a land unknown to Europe, as every desert is unknown.
It was a thought that had often come to him, but it came to-night with a force and wearing a significance which changed the aspect of the sands, the aspect of all Egypt.
He glanced at the charming girl beside him. Eileen, too, was looking into the distance with far-away gaze. The pose of her head was delightful, and he sat watching her in silence. Within the hotel the orchestra had commenced softly to play; but Graham did not notice the fact.
Source: Gutenberg

Portrait of Sax Rohmer Sax Rohmer The Haunting of Low Fennel

It was the figure of a white-bearded man, white-robed and wearing the green turban, mounted upon a camel which, to the eyes of the four, looked in [249] its spotless whiteness a creature of another world. Before the eagle-eyed stranger lay the still form of Eileen Graham, and as the camel rose to its feet, its rider turned, swung something high above him, and hurled it back at the panic-stricken pursuers. Right amongst their horses’ feet it rolled, and up at them in the moonlight from out a mass of blood-clotted beard, stared the glassy eyes of El-Suleym!
Source: Gutenberg

Portrait of Sax Rohmer Sax Rohmer The Haunting of Low Fennel

The midday heat in the valley was so great that a halt became imperative. They camped at the edge of a dense jungle where banks of rotten vegetation, sun-dried upon the top, lay heaped about the bamboo stems. None but a madman would have chosen to tarry in such a spot; and Major Fayne’s servants went about their work with many a furtive glance at their master. Ramsa Lal’s velvety eyes showed a great compassion, but Moreen offered no protest.
Source: Gutenberg

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