Summary

Portrait of Sax Rohmer Sax Rohmer The Red Book Magazine, Volume 28… (1917)

The brown man rose and advanced.
“Sit here beside me,” directed Madam, and she slightly changed her position with that languorous and lithe grace suggestive of a creature of the jungle.
Breathing rapidly, betwixt the importance of his mission and a new, intoxicating emotion which had come upon him at the moment of entering the perfumed room, the brown man obeyed, but always with glance averted from the taunting face of Madam. A golden incense-burner stood upon the floor, over between the high, draped windows, and a faint gray pencil from its dying fires stole upward.
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Portrait of Sax Rohmer Sax Rohmer The Red Book Magazine, Volume 28… (1917)

Those eyes were notable even in so lovely a setting, for they were of a hue rarely seen in human eyes, being like the eyes of a tigress; yet they could seem voluptuously soft, twin pools of liquid amber in the depths of which a man might lose his soul.
Again the silver bell sounded in the anteroom, and below, the little brown man shivered sympathetically. Again Madam stirred with that high disdain which so well became her who had the eyes of a tigress.
Source: Wikisource

Portrait of Sax Rohmer Sax Rohmer The Red Book Magazine, Volume 28… (1917)

But later, when the company entered the house, and Colonel Deacon sought to monopolize the society of Madam, an unhealthy spirit of jealousy arose between René and his guardian. It was strange, grotesque, horrible almost. Annesley watched from afar, and there was something very like anger in his glance.
“And this,” said the Colonel presently, taking up an exquisitely carved ivory Buddha, “has a strange history. In some way a legend has grown up around it,—it is of very great age,—to the effect that it must always cause its owner to lose his most cherished possession.”
Source: Wikisource

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