Summary

Sidney Coe Howard "Lexington": A Pageant-Drama of the American Freedom

Loyalists are singled out, perhaps, and stoned and jostled from the scene. Cheers become snarls. The multitude separates into small units, thirteen of them. These seem to wrangle among themselves, then, like so many socks, to turn inside out so that each menaces the other. The light over the multitude is murky. The music subsides to a low, ominous sound.
All this time Washington has stood imperturbably upon the stair, looking grimly down with the eloquence and understanding of a great fatalism. Freedom, however, is amazed.
Source: Gutenberg

Sidney Coe Howard "Lexington": A Pageant-Drama of the American Freedom

Lincoln
With malice toward none; with charity for all; with firmness in the right as God gives us to see the right; let us strive on to finish the work we are in; to bind up the nation’s wounds; to care for him who shall have borne the battle, and for his widow and his orphan—to do all which may achieve and cherish a just and lasting peace among ourselves and with all nations.
[The darkness has gradually closed in upon the scene except for Freedom’s face.
A great toll of the kettledrums and a voice of a man that cries out desperately in the darkness.]
Source: Gutenberg

Sidney Coe Howard "Lexington": A Pageant-Drama of the American Freedom

At the last, she stands above the Chronicler’s throne and, on either side of her, two youths kneel, who have followed her down from the Choir. When she has come to the bottom of the slope and when the darkness has taken all else but her figure, she turns her back upon the audience and her hands go out as though she evoked one further image out of the past. We see it, as light scatters the darkness above her—the Common of Lexington in the cold dawn of the Glorious Morning and the line of Minute Men drawn up across it.
Source: Gutenberg

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