Kettledrum

Definition and stakes

Kathleen Schlesinger,  1911 Encyclopædia Britannica (1911)

“ The origin of the kettledrum is remote and must be sought in the East. Its distinctive characteristic is a hemispherical or convex vessel, closed by means of a single parchment or skin drawn tightly over the aperture, whereas other drums consist of a cylinder, having one end or both covered by the parchment, as in the side-drum and tambourine respectively. The Romans were acquainted with the kettledrum, including it among the tympana; the tympanum leve, like a sieve, was the tambourine used in the rites of Bacchus and Cybele. ”
Source: Wikisource

Kathleen Schlesinger,  1911 Encyclopædia Britannica (1911)

“ These limits comprise all the notes of artistic value that can be obtained from kettledrums. When there are but two drums—the term “drum” used by musicians always denotes the kettledrum—they are generally tuned to the tonic and dominant or to the tonic and subdominant, these notes entering into the composition of most of the harmonies of the key. Formerly the kettledrums used to be treated as transposing instruments, the notation, as for the horn, being in C, the key to which the kettledrums were to be tuned being indicated in the score. Now composers write the real notes. ”
Source: Wikisource

Kathleen Schlesinger,  1911 Encyclopædia Britannica (1911)

“ The tuning of the kettledrum is an operation requiring time, even when the screw-heads, as is now usual, are T-shaped; to expedite the change, therefore, efforts have been made in all countries to invent some mechanism which would enable the performer to tune the drum to a fixed note by a single movement. The first mechanical kettledrums date from the beginning of the 19th century. ”
Source: Wikisource

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