Stafford Henry Northcote

“ More than most men, Fénelon “wanders between two worlds—one dead, the other powerless to be born.” He came just at a time when the characteristic ideas of the 17th century—the ideas of Louis XIV., of Bossuet and Boileau—had lost their savour, and before another creed could arise to take their place. Hence, like most of those who break away from an established order, he seems by turns a revolutionist and a reactionary. Such a man expresses his ideas much better by word of mouth than in the cold formality of print ”

“ Fénelon is on firmer ground when he leads a reaction against the “mercantile system” of Colbert, with its crushing restrictions on trade; or when he sings the praises of agriculture, in the hope of bringing back labour to the land, and thereby ensuring the physical efficiency of the race. Valuable and far-sighted as were these ideas, they fitted but ill into the scheme of a romance. Seldom was Voltaire wider of the mark than when he called Télémaque a Greek poem in French prose. It is too motivé, too full of ingenious contrivances, to be really Greek. ”

“ The abiding result of his tutorship is a code of carefully graduated moral lessons—the Fables, the Dialogues of the Dead (a series of imaginary conversations between departed heroes) , and finally Télémaque, where the adventures of the son of Ulysses in search of a father are made into a political novel with a purpose. Not, indeed, that Fénelon meant his book to be the literal paper Constitution some of his contemporaries thought it. Like other Utopias, it is an easy-going compromise between dreams and possibilities. ”