Stella Benson

Stella Benson

Summary

Portrait of Stella Benson Stella Benson,  The Poor Man (1923)

“ She never could keep her hands still. She threw out her right hand as if in surrender and hammered the side of the car. Edward could feel that she was absolutely tense. The muscles of her neck were unyielding.
He thought, “I must be very cautious.” He understood that he was not in Emily’s world at all. “I must be very cautious even in thinking of her now....” It was like falling into very cold water and becoming at once numb. “I mustn’t be feeble in this too. I must be a hero in another way. If I love her without hope, in the end I must die because the pain will grow and grow.”
”
Source: Gutenberg

Portrait of Stella Benson Stella Benson,  The Poor Man (1923)

“ He could hear well, he felt, but this was because Banner Hope was singing in such a sharp voice. Edward said, “It is more dramatic to be sad than to be happy, anyway, Emily. Everything that is meant to be dramatic is sad. The song that Hope is singing is—like all jazz songs—about being far away from where you want to be.”
“Sadness is too easy,” said Emily. “It is like mother-love and the weakness of little children and the old home and the maiden’s prayer—a too easy short cut to drama. All my life I have been dramatic but I have never arrived at drama by sadness.”
”
Source: Gutenberg

Portrait of Stella Benson Stella Benson,  The Poor Man (1923)

“ I do not know how many hills lift up the dramatic city of San Francisco from the level of her sea and her bay. To the precipitous shoulder of one of these hills clung the house in which Edward sat. It was night-time and the great California stars hung out of a thick dark sky. Perhaps the stars gave the waters of the bay and of the Golden Gate their [10] luminous look, as if there were light set in the floor of the world, a great light overlaid by fathoms of dark vivid water. ”
Source: Gutenberg

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