Mary Gaunt

Mary Gaunt

Summary

Portrait of Mary Gaunt Mary Gaunt A Woman In China

Out of the northern archway came the camels and the horses, the soldiers, the lamas, the eunuchs, out came all the quaint gay paraphernalia—umbrellas, and fans, palankeens, and sedan chairs, and banners—and slowly crossed the great courtyard, the arena; a stop, a long pause, then on again, and the southern gate swallowed them up, again the clack of the strips of wood, and the mighty bier, borne on the shoulders of the Babylonish slaves. Slowly, slowly, then it stood still, and we felt as if it must stay there for ever, as if the eighty men who upheld it must be suffering unspeakable things.
Source: Gutenberg

Portrait of Mary Gaunt Mary Gaunt A Woman In China

Standing on the walls of Peking, a city of the plain, you look down upon twelve square miles of grey-tiled roofs, the roofs of one-storied houses hidden in the summertime by a forest of trees, but in the heart of the city are high buildings that stand out not only by reason of their height but because the roofs of golden-brown tiles, imperial yellow, gleam and glow in the sunlight. This is the Forbidden City where has dwelt for hundreds of years the Emperor of China, often he must have been the only man in it, and always it was closed to all save the immediate following of the Son of Heaven.
Source: Gutenberg

Portrait of Mary Gaunt Mary Gaunt A Woman In China

The deep veranda was charming, on the hottest day one might sit, cool and secluded, reading here, and on each corner are exquisite bronze models of Chinese ponies. The library itself, like most of these houses, was sealed up, and our young friend had not the key, but the lattice-work windows, and most of the walls are of lattice-work, for this is a summer palace, were down to the ground, and through the torn paper I could get a glimpse of what looked like another lumber-room, but that once must have been gorgeous with red lacquer and gold.
Source: Gutenberg

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