Stephen Crane

Summary

Stephen Crane Maggie: A Girl of the Streets… (1893)

Jimmie's ally gibbered at times like a wounded maniac. Jimmie was silent, fighting with the face of a sacrificial priest. The rage of fear shone in all their eyes and their blood-colored fists swirled.
At a tottering moment a blow from Pete's hand struck the ally and he crashed to the floor. He wriggled instantly to his feet and grasping the quiet stranger's beer glass from the bar, hurled it at Pete's head.
High on the wall it burst like a bomb, shivering fragments flying in all directions. Then missiles came to every man's hand.
Source: Wikisource

Stephen Crane Maggie: A Girl of the Streets… (1893)

Jimmie ducked his head, Bowery-like, with the quickness of a cat. The fierce, answering blows of him and his ally crushed on Pete's bowed head.
The quiet stranger vanished.
The arms of the combatants whirled in the air like flails. The faces of the men, at first flushed to flame-colored anger, now began to fade to the pallor of warriors in the blood and heat of a battle. Their lips curled back and stretched tightly over the gums in ghoul-like grins. Through their white, gripped teeth struggled hoarse whisperings of oaths. Their eyes glittered with murderous fire.
Source: Wikisource

Stephen Crane Maggie: A Girl of the Streets… (1893)

The latter spent most of his time out at soak in pale-green snow storms, busy with a nickel-plated revolver, rescuing aged strangers from villains.
Maggie lost herself in sympathy with the wanderers swooning in snow storms beneath happy-hued church windows. And a choir within singing "Joy to the World." To Maggie and the rest of the audience this was transcendental realism. Joy always within, and they, like the actor, inevitably without.
Source: Wikisource

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