Stephen Sydney Reynolds

Summary

Stephen Sydney Reynolds A Poor Man's House

The land was there. We were to sea. The water, which barely gurgled beneath the bows of the drifter, was rushing up the beaches under the cliffs with a myriad-sounding rattle. Gulls, bright pearly white or black as cormorants, according as the light struck them, were our only companions. The little craft our kingdom was—twenty-two foot long by eight in the beam,—and a pretty pickle of a kingdom!
Mixed up together in the stern were spare cork buoys, rope ends, sacks of ballast and Tony. Midships were the piled up nets and buoys.
Source: Gutenberg

Stephen Sydney Reynolds A Poor Man's House

SETTING-NETS
Broken Rocks, a playground for children by day, look wild and strange on a night when clouds are driving across the moon, when the cliffs fade into darkness high above the beach, and everything not black is grey, except where the white surf beats upon the outermost ledge. Then Broken Rocks have personality. A sinister spirit rises out of them with the heave of the sea. It is as if some black mood, some great monotony of strife, were closing in around one. On the sea wall, in the sunshine, I used to wonder why Uncle Jake calls Broken Rocks a terr'ble place.
Source: Gutenberg

Stephen Sydney Reynolds A Poor Man's House

Though the good, well-cooked food, neither so greasy nor so starchy as Mrs Widger's, is an agreeable change, I sit at the table d'hôte and rage within. I am compelled to hear a conversation that irritates me almost beyond amusement at it. These people here are on holiday. Most of them, by their talk, were never on anything else. They chirp in lively or bored fashion, as the case may be, of the things that don't matter, of the ornamentations, the superfluities and the relaxations of life. At Tony Widger's they discuss—and much more merrily—the things that do matter; the means of life itself.
Source: Gutenberg

Get perspective with Kwize: daily news enlightened by great literature