Summary

T. J. Haarhoff Schools of Gaul in the last century of the Western Empire (1920)

But there were two considerations that affected this natural love of art in the Gauls: the Roman element in them, and the fact that art, like literature, was becoming a matter of form. Just as beauty of style had once been a living and inspiring thing to the Greeks, but became in our period a juggling with phrase and rule, so art had lost its true and inner meaning. And just as the Greek influence of Massilia had encouraged the artistic instinct of the Gauls, so the harder Roman spirit proved an impediment. Sidonius illustrates this fact admirably.
Source: Gutenberg

T. J. Haarhoff Schools of Gaul in the last century of the Western Empire (1920)

Yet he, and the great teachers of mankind throughout the ages, have insisted with an earnestness that reached to martyrdom, that such an unswerving and disinterested quest is the one result in education that truly matters, that it is the condition of progress and the criterion of culture. And if the way is long and the battle fierce, we must choose the dust and heat rather than lose sight of the ideal.
Source: Gutenberg

T. J. Haarhoff Schools of Gaul in the last century of the Western Empire (1920)

It has been borne in upon us that the teaching of history is all-important. Everybody is seeking to find the ultimate causes of the war, and one of the most far-reaching answers that can be given is that history has been wrongly taught. The fireworks of history have been displayed to us, but the permanent forces behind events, the thought and psychology of nations, the human interest of character, in fine, all that truly makes for understanding and progress has been neglected. It was neglected in the Roman Empire, and it is instructive to note the results.
Source: Gutenberg

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